Olivia Rode Hvass merges memory, mythology, and urban transformation into their recent immersive installation, Void Charm, showcased at Rum46 — an artspace run by artists in Aarhus, Denmark. Their work stands as a testament to their innovative approach to storytelling through art.

Void Charm: A Reflection on Urban Transformation
At its core, Void Charm aims to recreate the essence of memory and transition, blending ancient and contemporary motifs within an urban framework. Rode Hvass juxtaposes elements of the countryside—sand, rocks, and plants—with materials emblematic of urban construction sites, such as water, protective gear, and industrial materials. This deliberate contrast explores themes of societal evolution, urbanization, and the change of rural areas.

The installation’s materials and imagery carry deep symbolic weight. Sand, rocks, and plants evoke a personal connection to Rode Hvass's rural upbringing, while construction materials and beekeeping masks draw parallels between traditional protective structures and urban development. Magical and mythological undertones infuse the work, creating an almost ritualistic atmosphere. The design’s inspiration, drawn from the tradition of the German 'Bannkörbe' beehives, underscores the interplay between natural and human-made worlds.

For Rode Hvass, this collision of the natural and the urban represents the lingering memory of the past within the relentless push of modernity. They expressed satisfaction and inspiration from working with the Void Charm exhibition and have shared plans to pursue more landscape-based total installations in the future.

Upcoming Projects: Sculptures and Group Exhibitions
Olivia Rode Hvass’s creative journey continues with ambitious projects lined up for 2025. One of their most anticipated works will be featured in Copenhagen’s iconic Round Tower (Rundetaarn) as part of the group exhibition The Lost Rune-Stones. This collective show, featuring nine artists, centers on Denmark’s ancient rune-alphabet and its cultural resonance. Rode Hvass’s contribution will be a bus stop-like sculpture further discovering the theme of 'centralisation' and the transition from rural landscapes to urban environment, interwoven with mythological themes. Production is set to begin in February 2025, with the exhibition launching in June.
Additionally, Rode Hvass will participate in a group exhibition at Kunsthalle Trier in Germany, opening in late March, where their 2023 installation Hot Hands will be displayed. They will also contribute to a thematic group exhibition focusing on the tradition of Ex Libris at the Frederikshavn Art Museum in Denmark in early June.
Artistic Evolution: From Countryside to International Platforms
Olivia Rode Hvass’s artistic development is rooted in their rural Danish upbringing and a fascination with history, mythology, and societal structures.
Their artistic journey began at Vera School of Art and Design in Copenhagen, eventually leading to their Bachelor’s degree from the Danish Art Academy – Jutland Art Academy in 2021.
Their early career was shaped by exhibitions across Denmark, including Kunsthal Aarhus, Kunsthal 6100, and Kunsthal NORD, among others. They have also showcased their work internationally, with notable exhibitions in Seoul, South Korea, and Paris, France. Their 2022 duo exhibition at Kunsthal NORD marked a turning point, paving the way for more significant collaborations and opportunities.
Here to stay updated with Olivia's projects.